Once again, Petit displays flashes of talent but remains a writer in search of a story.
A dreary, disjointed tale about a lovesick cop and other obsessive types, from the author of The Psalm Killer (1997).
Youselli is a New York City police officer, apparently so underemployed that he's got scads of time to moonlight on behalf of McMahon, a once top-of-the-charts rock star now on a slow downward slide. From handling security at parties, Youselli has graduated to more complex chores when those upsetting letters start arriving: strange letters, intimate and erotic letters, scary letters signed, simply, Leah. Not for a minute, however, does McMahon believe that Leah wrote them. Leah, you see, has been dead for 20 years—a death that he himself witnessed. Find out the who and why behind this assault on his peace of mind, McMahon charges Youselli. Soon enough, however, as the epistolary flow continues unabated, the cop finds himself less detached about the case than a good detective ought to be. The letters reach out to him, something about them resonates in his cynical, hard-edged psyche. Leah becomes the stuff of his fantasies, more compelling to him than she ever was to McMahon. Meanwhile, Youselli's real life is in a state of severe dysfunction. His emotionally disturbed ex-wife may be stalking him, and he's enmeshed, at age 36, in two affairs with women decades older than he is. Nothing truly matters to Youselli, though, except the hunt for Leah. She was supposed to have died as the result of an accident, but did anyone actually see her corpse? Even a question as straightforward as that produces nothing but ambiguous answers. Youselli, driven, persists until he unexpectedly stumbles on the clues that unravel the mystery. By then, however, he wishes he hadn't.
Once again, Petit displays flashes of talent but remains a writer in search of a story.Pub Date: March 30, 2001
ISBN: 0-679-45127-7
Page Count: 272
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous...
A struggling student’s English assignment turns into a mission to solve a 30-year-old murder.
Joe Talbert has had very few breaks in his 21 years. The son of a single and very alcoholic mother, he’s worked hard to save enough money to leave his home in Austin, Minnesota, for the University of Minnesota. Although he has to leave his autistic younger brother, Jeremy Naylor, to the dubious care of their mother, Joe is determined to beat the odds and get his degree. For an assignment in his English class, he decides to interview Carl Iverson, a man convicted of raping and killing a 14-year-old girl. Carl, who maintains his innocence, is dying of cancer and has been released to a nursing home to end his life in lonely but unrepentant pain. The more Joe learns about Carl—a Vietnam vet with two Purple Hearts and a Silver Cross—the more the young man questions the conviction. Joe’s plan to write a short biography and earn an easy A turns into something more. Even after his mother is arrested for drunk driving and guilt-trips Joe into ransacking his college fund to bail her out, he soldiers on with the project, though her irresponsibility forces him to take Jeremy into his care. But it’s his younger brother who cracks the code of the long-dead murder victim’s secret diary and an attractive neighbor, Lila Nash, who has her own agenda for helping Joe solve the mystery, whatever the risk.
Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous than championing a bitter old man convicted of a horrific crime.Pub Date: Oct. 14, 2014
ISBN: 978-1-61614-998-7
Page Count: 300
Publisher: Seventh Street Books
Review Posted Online: Oct. 8, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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