by Chris Rylander ‧ RELEASE DATE: June 18, 2019
A middle volume that turns more on moral and identity issues than keeping the plot rolling.
Greg (Dwarven name “Greggdroule,” please don’t use it) Stormbelly begins this sequel to The Legend of Greg (2018) by setting his pants on fire with a misdirected spell at a Gargoyle and ends by organizing an expedition to find a certain pivotal amulet in the episode’s abrupt conclusion.
In between he adds a diamond-pooping Rock Troll to his posse of staunch allies; battles elves in a literally spooky New Orleans cemetery; spends weeks imprisoned in Alcatraz by his Elven best frenemy, Edwin (who hints at an ominous plan to save the world by putting himself and a few other well-intentioned Elves in charge); and comes to realize that a bloodthirsty talking war axe isn’t really a good thing for a pacifist to own. He also gets at least a line on a cure for the Elven potion that has apparently driven his beloved dad “kookier than ever.” Unfortunately, between and even during the fun battle scenes and set pieces, Rylander breaks all too often for momentum-killing dwarfsplaining (enhanced, if that’s the word, by footnotes) of Dwarven history and values, comparisons of Elf and Dwarf religions, digressions, and open-ended ruminations. Greg and Edwin present white, but the cast’s Elves and Dwarves include some with brown skin; it’s unclear whether the Goblins, Harpies, Trolls, Orcs, and other races here enjoy like diversity.
A middle volume that turns more on moral and identity issues than keeping the plot rolling. (Fantasy. 11-13)Pub Date: June 18, 2019
ISBN: 978-1-5247-3975-1
Page Count: 336
Publisher: Putnam
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
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by Chris Columbus & Ned Vizzini with Chris Rylander
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
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BOOK TO SCREEN
by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Elinor Teele
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