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FINDING REALNESS, MEANING, AND BELONGING IN OUR DIGITAL LIVES

A handy user's manual for leading an online life full of meaning and connection.

With the pandemic having moved so many of our "real life" activities online, here’s a relevant investigation into what it means to be "real" in virtual space.

Can online platforms help us find true connection? Stedman is a natural guide to the complex world of digital tools that can help us map out our lives and teach us how to be human. Born in 1987, the author never knew life without the internet. His background as a queer “humanist community organizer” and atheist representative in interfaith groups shapes his worldview, which is inclusive and always questioning. Stedman challenges the conventional notion that a life lived primarily on social media is necessarily superficial or less "authentic" than so-called "real life." Chronicling his experiences with gamers and “furries” (“people who create and sometimes play out animal alter egos”), among other specific social communities, the author explores how technology can help marginalized and/or geographically remote people connect. His personal history confirms this idea: As a closeted gay teenager, Stedman found crucial support online. While it’s true that privileged people can colonize digital landscapes by co-opting memes and slang from people of color and other marginalized communities, at their best, social networks can enable disempowered people to document their lives and grow movements such as Black Lives Matter. Social media, though often overrun with "cries for help or attention, and the parade of personal successes," can also function as an avenue for personal growth. Digital life gives us a space to reimagine ourselves and play with our identities. Stedman is vigilant about citing scholarly texts to support his arguments, but he ties academic theories to experiences by relating stories from his personal life—even if "social media has shown me more clearly the importance of keeping some things private." In fact, "if we want to feel real in the digital age, we need to make a habit of disconnecting” periodically for “perspective taking.”

A handy user's manual for leading an online life full of meaning and connection.

Pub Date: Oct. 20, 2020

ISBN: 978-1-5064-6351-3

Page Count: 336

Publisher: Broadleaf Books

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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