by Chris Stewart ‧ RELEASE DATE: Oct. 12, 2005
Full of military acronyms for the savvy reader.
A smash-’em-up, swift-flying Western with a John Wayne–type maverick paramilitary operator on the trail of angry Islamic terrorists in possession of nuclear warheads.
Former USAF pilot Stewart’s fourth thriller (The Third Consequence, 2000, etc.) features sharp, fearless American agent Peter Zembeic, who works for a CIA group known as the Campers and uses his smarts to fight terrorism—certain that he is on the right side. The exiled Taliban have taken refuge in Pakistan to rebuild their forces, and, all at once, a series of calamitous events transpire in and around the country, from the mysterious downing of the Pakistani president’s airplane, to the assassination of Pakistan’s prime minister, to a number of destabilizing explosions in central Islamabad, leaving the country’s 24 nuclear warheads at the mercy of terrorist seizure. Peter and his CIA contact Colonel Shane Bradley (who operates from the Shin Bet Israeli undercover detachment south of Tel Aviv) have decoded a message from their Islamic terrorist spy Donner that “Darkhorse” is coming—a reference to the Apocalypse. Peter, working out of Camp Cowboy, a CIA paramilitary base in northern Afghanistan, is secretly led to the location of the warheads by the Islamic spy Donner, who seems truly motivated by humanitarian means when he explains the ramifications of a nuclear war: “America will be wounded, but we will cease to exist.” Yet the Americans fail to gain the warheads before they fall into the hands of an al-Qaeda terrorist cell led by the Great Leader (who sounds much like bin Laden), along with his dreaded henchman, a torture artist named Angra. Colonel Bradley and his trusty female pilot, Tia, are shot down and roughed up by Angra. Peter comes to the rescue in True Grit fashion, in what proves to be a swaggering, cowboys-and-Indians adventure that occasionally becomes airborne.
Full of military acronyms for the savvy reader.Pub Date: Oct. 12, 2005
ISBN: 0-312-28646-5
Page Count: 400
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
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by Elizabeth Smart with Chris Stewart
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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239
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
Likes
38
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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