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WE BEGIN AT THE END

A fierce 13-year-old girl propels this dark, moving thriller.

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A police chief who never grew up and a girl who never had a childhood try to solve the murder of someone they love.

A tiny, picturesque town on the California coast is an emotional prison for the characters of this impressive, often lyrical thriller. Its two main characters are a cop with an improbable naïveté and a child too old for her years. Walk (short for Walker, his last name) is chief of the two-person police department in Cape Haven and a native son. He’s kind and conscientious and haunted by a crime that occurred when he was a teenager, the death of a girl named Sissy Radley, whose body Walk discovered. Duchess Radley is that child’s niece, the daughter of Star Radley, the town’s doomed beauty. Most men lust after Star, including several of her neighbors and perhaps a sinister real estate developer named Dickie Darke. But Star is a substance abuser in a downward spiral, and her fatherless kids, Duchess and her younger brother, Robin, get, at best, Star’s benign neglect. Walk, who’s known Star since they were kids, is the family’s protector. As the book begins, all of them are coming to terms with the return to town of Vincent King. He’s Walk’s former best friend, Star’s former boyfriend, and he’s served a 30-year prison term for the death of Sissy (and that of a man he killed in prison). Someone will end up dead, and the murder mystery structures the book. But its core is Duchess, a rage-filled girl who is her brother’s tender, devoted caretaker, a beauty like her mother, and a fist-swinging fighter who introduces herself as “the outlaw Duchess Day Radley.” Whitaker crafts an absorbing plot around crimes in the present and secrets long buried, springing surprises to the very end.

A fierce 13-year-old girl propels this dark, moving thriller.

Pub Date: March 2, 2021

ISBN: 978-1-250-75966-5

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Dec. 24, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE INTRUDER

A grim yet gleefully gratifying tale of lost innocence and found family.

A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.

High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.

A grim yet gleefully gratifying tale of lost innocence and found family.

Pub Date: Oct. 7, 2025

ISBN: 9781464260919

Page Count: 288

Publisher: Poisoned Pen

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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