An action-packed, tongue-in-cheek romp fitted out with snarky dialogue, heroic fantasy tropes aplenty and a notably...
A supposed village lad kidnapped to stand in for the vanished prince he resembles rises to the challenge. More or less.
Set in a Darkling Realm of horned, bat-winged people, the tale takes young Seifer Tombchewer (his name inherited from an ancestor who went bonkers after eating “something poisonous that fell asleep in his porridge”) to the royal palace of Pandemonium, where he’s given the choice of temporarily masquerading as Prince Talon or being fed to “psycho carnage beasts.” Making the reasonable choice entails learning how to behave like an arrogant, selfish twit—as well as being mauled by “his” gigantic pet cat, surviving assassination attempts, outbelching the chieftain of a neighboring warrior clan and defeating an invading army. Fortunately, he does have allies, including his royal “sister” Princess Hypoxia and magic-wielding girlfriend-to-be Lady Carcassa, daughter of gambling addict Baron Canasta Malefica. Interspersing outsized GRNARGH! BLORP! SOOG! YAAAAAA! sound effects with scenes featuring sharp-featured, elegantly slender figures, debut illustrator Diaz crafts panels of Japanese comics–style art for Wooding’s somewhat less-than-earnest adventure story. The real prince’s continued absence, a hint of secrets in Seifer’s own past and the sudden arrival of “his” fiancée Lady Asphyxia point to sequels.
An action-packed, tongue-in-cheek romp fitted out with snarky dialogue, heroic fantasy tropes aplenty and a notably resilient protagonist. (Graphic novel. 11-13)Pub Date: Feb. 1, 2012
ISBN: 978-0-545-25221-8
Page Count: 160
Publisher: Graphix/Scholastic
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Nov. 15, 2011
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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