by Christian Cooper ‧ RELEASE DATE: June 13, 2023
Candid reflections from an appealing guide to the birding life.
A celebration of the delights of watching birds.
On Memorial Day 2020, Cooper was bird-watching in Central Park when he asked a dog walker to comply with the park’s rules and leash her dog. Her angry response prompted him to video the interaction on his phone—including her call to the police claiming that “there’s an African American man threatening my life.” Posted by one of Cooper’s friends, the video ignited a “firestorm of attention.” That racist incident brackets the author’s engaging debut memoir chronicling his transformation from a nerdy kid on Long Island in the late 1960s, who confessed that he was gay only to one friend, into a Black, queer activist who revels in bird-watching. Cooper became a birder on nature walks with his father and during the family’s yearly summer camping trips to national parks. As they drove, he read Peterson’s Field Guide to the Birds, surprising his parents when he could identify some of the species they encountered. Birding was an immediate pleasure. “One of the best things about birding,” he writes, “is how it pulls you out of your inner monologue and forces you to observe a larger world.” Feeling like a misfit in high school, Cooper found Harvard more welcoming. He discovered the Harvard Ornithological Club and the Gay Students Association, and he came out to his three roommates. The author recounts many remarkable bird sightings in his travels in Central Park and around the world, and he peppers the text with birding tips—e.g., don’t learn birdsongs from recordings but rather from attentive listening. As the author shows, birding was a constant amid personal tumult: affairs and a brief marriage; renewing his relationship with his difficult father; the deaths of his mother and grandmother; protesting racism and anti–LGBTQ+ violence; and introducing the first gay superhero when he wrote for Marvel Comics.
Candid reflections from an appealing guide to the birding life.Pub Date: June 13, 2023
ISBN: 9780593242384
Page Count: 304
Publisher: Random House
Review Posted Online: March 21, 2023
Kirkus Reviews Issue: April 15, 2023
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Melania Trump ‧ RELEASE DATE: Oct. 8, 2024
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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