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HE HELD RADICAL LIGHT

THE ART OF FAITH, THE FAITH OF ART

“It is hard learning to live ‘one hour higher than the torments,’ ” Wiman writes, quoting Nobel laureate Tomas Tranströmer....

The link between art and faith, as seen by a noted poet.

When Wiman (Religion and Literature/Yale Univ.; Once in the West, 2014, etc.), a former editor of Poetry magazine, was 38, he had lunch with poet Donald Hall. During the meal, Hall “turned his Camel-blasted eighty-year-old Yeti decrepitude to me” and made a startling admission. “I was thirty-eight when I realized not a word I wrote was going to last,” Hall said. That’s a shocking thing for any young writer to hear, but Hall’s statement would take on greater resonance when, a few years later, Wiman received a cancer diagnosis. In this memoir, the author considers the question, “What is it we want when we can’t stop wanting?” For Wiman, one answer is faith, but as he puts it, spiritual hunger is like poetry in that it “thrives on longings that can never be fulfilled, and dies when the poet thinks they have been.” Throughout this volume, the author explores the relationship between poetry and faith and the lessons each has taught him. He references many poems, most notably Philip Larkin’s “Aubade,” in which Larkin laments “Unresting death, a whole day nearer now” and “The good not done, the love not given, time / Torn off unused.” Wiman also writes of the poets he has known, among them A.R. Ammons, who, during a reading when Wiman was an undergraduate, said to the crowd, “You can’t possibly be enjoying this,” and sat down; and Mary Oliver, who, after Wiman picked her up for Chicago’s annual Poetry Day, examined with wonder a dead half-pigeon they found on the ground, stuffed it into her jacket, and gave her reading with the half-pigeon still in her pocket.

“It is hard learning to live ‘one hour higher than the torments,’ ” Wiman writes, quoting Nobel laureate Tomas Tranströmer. This moving book explores not only those torments, but also the understanding that art can provide.

Pub Date: Sept. 11, 2018

ISBN: 978-0-374-16846-9

Page Count: 128

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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ROSE BOOK OF BIBLE CHARTS, MAPS AND TIME LINES

Worthwhile reference stuffed with facts and illustrations.

A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.

This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.

Worthwhile reference stuffed with facts and illustrations.

Pub Date: Sept. 1, 2005

ISBN: 978-1-5963-6022-8

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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