This surreal allegory of death’s release will intrigue some readers while puzzling others.
Observed by village children, an elderly man prepares for death in this misty allegory.
Mr. Rodriguez appears outdoors at 4 p.m. daily, communing with a different animal each day: a dove on Monday, a pet fish on Tuesday, an old sheepdog on Wednesday, a lame cat on Thursday. On Friday, a piano appears on the street, and Mr. Rodriguez sits atop it as “a fine melody flowed out to sea.” Mr. Rodriguez levitates slightly above the cobbled streets along with the animals (and piano) he shepherds. On Saturday, Mr. Rodriguez fails to appear. The children rise early on Sunday to discover whether he’s changed his routine. Their curiosity is rewarded: The elder appears on his piano, floating in the air, the animals arrayed around him. “He winked and pointed to the clouds in the distance.” Duchesne adopts a first-person-plural narrative voice in which matter-of-fact declaratives bob against mild speculation and culminate in an unflappable conclusion: “He had gone away, probably forever. But we know he was happy.” Thisdale’s paintings depict a white-presenting Mr. Rodriguez and the coastal village’s mutable sky, cerulean sea, whitewashed buildings, and omnipresent lighthouse. He sometimes duplicates and flips his images of the village’s diverse children. With their precisely lit, unchanging or mirrored facial expressions, these recurring images convey, perhaps unintentionally, a robotic eeriness.
This surreal allegory of death’s release will intrigue some readers while puzzling others. (Picture book. 4-7)Pub Date: Nov. 5, 2019
ISBN: 978-1-77278-089-5
Page Count: 32
Publisher: Pajama Press
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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