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Farryn's War

Not without its flaws but a solid entry for readers craving new, original space operas.

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An alien woman tries to track down her former lover in the first installment of Meierz’s (The Fall, 2015, etc.) new Exiles of the Drift series, set in the same universe as the Tales of Tolari Space.

Farryn, who belongs to an empathic race known as the Tolari, once ruthlessly ruled over the province of Monralar. Before this chapter in the ongoing saga, however, he fled and was exiled from his people for what he considered a just cause that manifested in his killing a “child for political advantage.” Now, as the head of a new crime family, he lives among humans in one of their planetary colonies of Far India. Meanwhile, Farryn’s former “pair-bonded” lover, Sharana, who had tried to put their past behind her, finds herself drawn to discovering what happened to him, leading her to track him down. Not long after her quest begins, however, she is captured by Adeline Russell, a Central Security officer trying to trap Farryn. Adeline has Sharana tortured in order to get information on Farryn, using her as a pawn to go after the actual target. There is a great deal to praise about Meierz’s novel, which, in addition to remarkable prose, centers on richly drawn characters in a beautifully detailed world. The conceit of Earth’s future based around Indian and Hindi culture is a refreshing one, given the American/Eurocentric bent to most sci-fi. Additionally, Farryn makes for a fascinating antihero. Readers might be surprised to find themselves equally drawn to and repelled by his and Sharana’s love story. At the same time, the novel is not particularly welcoming to new readers. They’ll be able to follow the basic gist, but intricacies of the political situation will likely be lost on those who haven’t read the preceding series. Furthermore, after a thrilling opening, Sharana spends the majority of the novel imprisoned and victimized—a disappointing fate for a female character with such potential.

Not without its flaws but a solid entry for readers craving new, original space operas.

Pub Date: Sept. 24, 2015

ISBN: 978-1-5168-9212-9

Page Count: 330

Publisher: CreateSpace

Review Posted Online: Oct. 10, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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