An open-ended conclusion leaves the door ajar for more mystery and romance.
Dodd’s series launch turns a Shakespearean tragedy into a rom-com mystery.
“My name is Rosie, Rosaline if I’m in trouble, and I’m the daughter of Romeo and Juliet.” In Dodd’s entertaining retelling of Shakespeare's play, the tragic lovers survived their suicide attempts to marry and produce seven spirited children, headed by practical, level-headed Rosie. Despite the best efforts of her parents to marry off their eldest daughter, the clever Rosie has successfully fended off her potential suitors with a little matchmaking involving two younger sisters. Now almost 20, she’s content to remain a spinster and manage the Montague household, but alas her father receives a proposal he cannot turn down from the loathsome Duke Leir Stephano of the house of Creppa. Despite Rosie’s objections that the duke just buried his third wife, a betrothal ball is quickly organized. There the reluctant bride-to-be meet-cutes with an uninvited guest, the dazzlingly handsome Lysander, and stumbles upon the body of Duke Stephano with a dagger plunged into his chest. Suspicion falls on Rosie, even though Escalus, the brooding Prince of Verona, tries to protect her, and she must identify the killer before she becomes a victim. Dodd peppers her novel with plenty of Shakespearean references, making this more fan fiction than a true historical. The deliberate anachronisms (“I smiled a Mona Lisa smile”) will drive purists crazy, but most readers won't care. Dodd’s Verona is a mythical, timeless city where a spunky, independent young woman can enchant two different men. There is some YA appeal in Rosie’s character that will remind some readers of Karen Cushman’s Catherine, Called Birdy, but one of the protagonists takes an unbelievable 180-degree dark turn that will disappoint readers.
An open-ended conclusion leaves the door ajar for more mystery and romance.Pub Date: June 25, 2024
ISBN: 9781496750167
Page Count: 304
Publisher: John Scognamiglio Books/Kensington
Review Posted Online: April 19, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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