by Christina Lamb ‧ RELEASE DATE: Oct. 1, 2007
A balanced portrait of emotions, ideologies and awakenings on both sides of the racial divide as Mugabe’s abuses pushed a...
A native-born white farmer and his Mashona maid reveal very different aspects of Zimbabwe’s history over the past three decades.
London Sunday Times foreign-affairs correspondent Lamb (The Africa House: The True Story of an English Gentleman and His African Dream, 2005, etc.) first wrote about Nigel Hough and Aqui Shamvi in 2002, when Aqui apparently led an angry mob invading his homestead and screaming abuse. (In fact, she was trying to protect the Hough family, though at the time they felt betrayed.) Based on intensive interviews with both Nigel and Aqui, Lamb’s narrative traces their individual paths beginning in the 1970s, around the time that Robert Mugabe emerged as a revolutionary leader: hero to the black population (save a few of the majority Mashona’s tribal enemies) and bane of the white farmers, who owned most of the good land. Their recollections clearly delineate the cultural divide as Rhodesian white minority rule was forced to capitulate to multiracial elections and Mugabe’s accession as prime minister in 1980. Blacks, who had shared neither power nor privilege, had little notion of the role capital and investment played in making their nation an African showplace of high literacy rates and food surpluses. Average whites, on the other hand, hardly cared that members of a tribal society in which accruing more visible wealth than one’s neighbors was considered rude, even anti-social, might view them as infected with greed. Blacks gained admission to private schools and did as well as the best white students, to Nigel’s admitted surprise. Yet reconciliation had no chance, as Mugabe cemented his political monopoly by giving open blessing to farm seizures (euphemized as “land redistribution”) by ad hoc “war veteran” parties that drove most whites from a now-destitute country.
A balanced portrait of emotions, ideologies and awakenings on both sides of the racial divide as Mugabe’s abuses pushed a “model” African nation toward the brink of ruin.Pub Date: Oct. 1, 2007
ISBN: 978-1-55652-735-7
Page Count: 320
Publisher: Lawrence Hill Books/Chicago Review
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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