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PHANTOM LADY

HOLLYWOOD PRODUCER JOAN HARRISON, THE FORGOTTEN WOMAN BEHIND HITCHCOCK

A solid addition to the growing literature about women filmmakers, with greatest appeal to Hitchcock fans and movie lovers.

A close-up look at the career of an influential woman screenwriter and producer in Hollywood.

Lane (Film Studies/Univ. of Miami; Magnolia, 2011, etc.) depicts Joan Harrison (1907-1994) as an unconventional woman who was the most enduring assistant and colleague that Alfred Hitchcock ever had. “Harrison would contribute to all of Hitchcock’s late British achievements…and his early Hollywood successes….Together, these films established Hitchcock as a master of the seriocomic thriller and gothic suspense.” The author continues, “plainly put, Alfred Hitchcock would not have become ‘Hitchcock’ without her.” The title refers not only to the “noir gem” that Harrison made for Universal Pictures in 1944, a film that featured a resourceful, independent woman, but also to Lane’s desire to restore the reputation of Harrison, who has been largely overlooked in Hollywood histories despite her stature at the time as “the most powerful woman producer in Hollywood.” The author closely follows her ambitious and clever subject’s career from her initial interview with Hitchcock at age 26 to her death at 87. While Lane’s attention to the details of Harrison’s career may seem excessive, what she reveals about the making of some of Hitchcock’s films is fascinating. As she chronicles Harrison’s journey from secretary to screenwriter to producer, she takes readers behind the scenes of such films as The Lady Vanishes, Jamaica Inn, and Rebecca as well as many others that Harrison worked on with Hitchcock. We learn about casting decisions, script changes, the strengths and weaknesses of various actors, and the power of the studio moguls and censors. Lane also shows how Hollywood reacted to the redbaiting scare and the blacklisting that followed. The narrative is not all business, however. The author shows Harrison hobnobbing with celebrities in nightclubs, marrying the novelist Eric Ambler, and living well abroad.

A solid addition to the growing literature about women filmmakers, with greatest appeal to Hitchcock fans and movie lovers.

Pub Date: Feb. 4, 2020

ISBN: 978-1-61373-384-4

Page Count: 400

Publisher: Chicago Review Press

Review Posted Online: Nov. 19, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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