Next book

THE BLUNDERS

A COUNTING CATASTROPHE!

This could lead to some storytime or classroom counting fun.

At the end of a day spent outside, 10 siblings each take a turn counting themselves and come up one short.

What will they tell their mother? Readers may think she’ll be relieved, as the kids are outside because she tossed them out after they’d “blundered” too many things in the house. And in Jack’s cartoon illustrations, all views of her save one portray her as either angry or exasperated. After a full afternoon playing by and in the creek (no adult supervision, but it’s only waist-deep), their mom’s words echo: Keep track of each other and be home by sundown. But no matter if they count by ones, twos, or threes, in English or Spanish, every child who attempts the count comes up with only nine kids (readers are in on the joke, as in every illustration the counter is missing a number). Upon returning home, they tell their mother an outlandish story but quickly come clean at the sight of the table set for 10. She finds the missing child, though not the missing pies, which the kids have carefully portioned…twice! Jack’s characters have an array of hair colors and heights, though most tend toward light skin and very thin physiques; one wears glasses. Even though their names are typically associated with gender, the presentation of several kids is ambiguous. Oddly, their noses and ears are distractingly darker than their faces.

This could lead to some storytime or classroom counting fun. (Picture book. 4-8)

Pub Date: Feb. 11, 2020

ISBN: 978-1-5362-0109-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: Oct. 8, 2019

Kirkus Reviews Issue: Nov. 1, 2019

Next book

A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

Next book

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Close Quickview