by Christina Sweeney-Baird ‧ RELEASE DATE: April 27, 2021
Sweeney-Baird’s dystopian debut novel, begun in 2018, is unsettlingly prescient.
Beginning in 2025, a Great Male Plague spreads around the world.
The novels opens in London on a deceptively breezy note as Catherine, a social anthropologist with a happy marriage and adorable 3-year-old son, avoids fertility treatment because she’s ambivalent about having a second child. Big mistake. Five days later, on “Day 1,” a man dies for no clear reason in a Glasgow hospital. After a second man dies there two days later and more fall ill, attending physician Amanda, a wife and mother of two sons herself, senses approaching disaster. She contacts recently independent Scotland's public health officials, who dismiss her concerns. By Day 5, “the Plague,” though still limited to Scotland, “is all anybody can talk about” in London. And so the Plague spreads, day by numbered day within eight sections designating stages from OUTBREAK to PANIC to ADAPTATION to REMEMBRANCE. Although women may be carriers, only males (of all ages) get sick, almost always fatally. Survivors, i.e., women, experience what survivors today have been experiencing—loss, isolation, fear, guilt, physical damage, financial crises, and, occasionally, good fortune. Catherine and Amanda, who lose the men and boys in their lives early, remain central as they reconstruct their lives. But British author Sweeney-Baird swings her focus among an ever widening swathe of characters—wealthy, working class, urban, rural, White, Black, Asian, straight, LGBTQ+, British, American, Canadian, Filipino—as if afraid to leave any social subgroup out. Shallow character development is inevitable. But a captivating standout is the portrayal of brilliant gay Canadian scientist Lisa, a villainous, much-hated savior who uses the Plague as her steppingstone to wealth and fame. Meanwhile, the loss of most of the world’s male population and the ways governments react to the Plague raise complicated ethical issues. This may be just the novel you want to read right now—or the last thing you'd want to pick up.
Sweeney-Baird’s dystopian debut novel, begun in 2018, is unsettlingly prescient.Pub Date: April 27, 2021
ISBN: 978-0-593-32813-2
Page Count: 416
Publisher: Putnam
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Carter Wilson ‧ RELEASE DATE: Jan. 14, 2025
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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