by Christina Thompson ‧ RELEASE DATE: July 1, 2008
Honest, forthright self-examination engenders a well-wrought sense of shared destiny.
Perceptive, endearing look at the often fraught contacts between Maoris and Westerners, both in history and in the personal life of Harvard Review editor Thompson.
Two decades ago, while on vacation from her graduate studies in literature of the Pacific at the University of Melbourne, the Boston-raised author met a Maori man in Kerikeri, New Zealand. She and Seven (so-named because he is the seventh of ten children) fell in love, married, had three children and lived all over the Pacific before moving in with her parents near Boston. Thompson mingles this personal story with a candid examination of persistent, troubling issues of race and stereotype in the history of the two cultures’ encounters. The first was in 1642, when Dutch captain Abel Janszoon Tasman named the New Zealand inlet where his ships lay anchored “Murderers’ Bay” after a deadly collision with the local Maoris. Subsequent accounts, including those by Cook and Darwin, underscored the indigenous tribes’ “bellicose” nature, yet the author points out that the Maoris’ warlike image was most likely a byproduct of Western contact. Similarly, the initial bewilderment and misunderstanding between the two cultures experienced when she and Seven first met could easily have marred their relationship. Thompson gently portrays her husband’s decidedly non-Western worldview: his resistance to planning for the future, his superstitiousness and his sense of communalism. It challenged her ingrained notions of class and race, and it also occasionally supported the Noble Savage stereotype. “What was funny about living with Seven,” she writes, “was the way those musty paradigms…would periodically spring to life.” She closes with a heartfelt letter to the couple’s three sons, each containing “a little bit of the conqueror and conquered,” asking them not to be sentimental about their dual ancestry since, in the end, their parents aren’t as different as they look.
Honest, forthright self-examination engenders a well-wrought sense of shared destiny.Pub Date: July 1, 2008
ISBN: 978-1-59691-126-0
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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