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IT'S RAINING, IT'S POURING

The original song with its three-part counterpoint is deliciously imagined on these pages.

In 1961, Peter, Paul and Mary made an extremely engaging piece combining the title ditty, a game of hide-and-seek and snatches of nursery rhymes; Davenier takes it a visual step further to make an absolutely engaging picture book.

Fluid colors and vivacious line define the images, which not only show a wonderful old house with a warm kitchen and a fine old stairway, but a huge apple tree outside. Populating this cozy locale are a gaggle of children visiting grandma and grandpa. It’s grandpa who is in bed with an ice pack on his head (“the old man is snoring. / Bumped his head…”) The children, driven indoors by the rain, start a game of hide-and-seek. One moppet climbs into bed next to grandpa and reads to him. Familiar nursery rhymes (“Star light, star bright”; “Hey diddle-diddle”) play out in the pictures with grandpa and moppet as actors. Meanwhile, the barefoot children (all of their shoes are lined up by the stairs) are quietly hiding in the closet, under the table where grandma is peeling apples and even under grandpa’s bed! (That’s where the twins are.)  There’s a big old dog and a ginger cat, and the cow who jumped over the moon—at least in grandpa’s and moppet’s imaginations—peeks in the window at “Olly, Olly in free!” And it looks like the sun has come out. A note about the song from the performers, Davenier’s note about being at her grandmother’s with all of her cousins and an enclosed three-song CD round out a near-perfect whole.

The original song with its three-part counterpoint is deliciously imagined on these pages. (Picture book. 4-8)

Pub Date: July 1, 2012

ISBN: 978-1-936140-77-0

Page Count: 32

Publisher: Peter Yarrow/Imagine

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: June 15, 2012

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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LITTLE MELBA AND HER BIG TROMBONE

Readers will agree that “Melba Doretta Liston was something special.”

Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Pub Date: July 1, 2014

ISBN: 978-1-60060-898-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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