The slenderness of the narratives belies their emotional strength, revealing the author's deep conviction that the writing...
Oprah protégée Lincoln offers a debut collection of 12 folksy tales delicately and graciously delineating the hardscrabble lives of a series of southern rural characters.
Many of these stories, gripped by subtle violence, concern various members of the Fuller family: Ma’D, once a vivacious young bride, her dreams gradually blunted by the harsh reality of farm life; her husband Hiron Fuller, a WWII vet so demoralized by racism that he returns to the farm an alcoholic failure; and their four daughters. In “Acorn Pipes,” Hiron’s sudden, gruesome accidental death by axe prompts second-oldest daughter Hira to fabricate for the benefit of her incredulous sisters a tall tale about their father teaching her to make acorn pipes. The sisters are desperate to believe that their daddy was more than just a drunken fool, and they hide under the porch, splintering acorns in their hands, as they listen to the neighbors’ malevolent gossip overhead. In “A Very Close Conspiracy,” on the other hand, Hiron relates the affecting details of his own story to his mule, Walter P, on the last fateful day of his life. Oldest daughter Cinny figures in several of the tales as the strongest-willed of the sisters, defying her mother even when they come to blows. In “Wishes,” she dares to pray that her no-good father (Cinny “knew all the secrets of a grown man’s frailties”) will die and leave them all in peace. Other stories, such as “Bug Juice” and “Winter’s Wheat,” sketch entire family tragedies within a few vivid observations by the child narrator; they point up Lincoln's debt to such African-American writers as Toni Morrison and to oral history.
The slenderness of the narratives belies their emotional strength, revealing the author's deep conviction that the writing process itself can redeem the poverty, ignorance, cruelty in her characters’ lives.Pub Date: Sept. 18, 2001
ISBN: 0-375-42140-8
Page Count: 176
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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