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SANCTUARY

KIP TIERNAN AND ROSIE'S PLACE, THE NATION'S FIRST SHELTER FOR WOMEN

A worthy social justice story about a compassionate woman who dedicated her life to helping others.

Kip Tiernan “passed through a door and there [was] no turning back.” She was compelled to help homeless women.

Food is scarce for Granny’s large family, but she still feeds the strangers at her door during the Depression. Granddaughter Mary Jane, known as Kip, helps. Fast-forward to the 1960s. Kip, an adult, is moved by the social consciousness of the 1960s to work at Boston’s Warwick House, a shelter—for men. When she notices women disguising themselves as men to gain entrance, she campaigns to create a special shelter for them, one with flowers and music and where the residents are respected. Finally, in 1974, she turns an abandoned market into Rosie’s Place, the United States’ first shelter just for women. At each stage of Kip’s journey, illustrations capture the mood. The front endpapers, washes of gray and blue, lead into mostly gray scenes from the Depression, with spots of bright colors in Granny’s kitchen and on Kip’s dress. Splashes of color highlight scenes of the civil rights movement when Kip, as an adult, dedicates her life to helping end poverty, and the grays and colors mix as she struggles to create a sanctuary for Boston’s homeless women. Colorful washes grace illustrations of Rosie’s Place and the final endpapers. The book closes with extensive backmatter about Kip, the Depression, and causes of homelessness. Illustrations depict people of a broad range of ethnicities and ages. (This book was reviewed digitally.)

A worthy social justice story about a compassionate woman who dedicated her life to helping others. (Picture-book biography. 8-12)

Pub Date: March 1, 2022

ISBN: 978-1-5362-1129-0

Page Count: 40

Publisher: Candlewick

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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