Yet another eye-opening, powerful demonstration of the profound structural problems with mass incarceration in the U.S.
A searing indictment of a system in which far too many people “languish within prisons and jails because of their poverty, their race, their addiction, or their mental illness.”
Psychiatrist Montross, who is accustomed to treating mentally ill clients in hospital settings, decided to explore what happened to similar people who landed in the American prison system. What she learned was horrifying—and not just for the inmates. Through her firsthand experiences and diligent research, she concludes that everybody in American society—the imprisoned mentally ill, the rest of the prison population, prison staff, police, attorneys, judges, jurors in criminal trials, loved ones in the free world, residents of neighborhoods into which former inmates have been released, and taxpayers whose money pays for punishment instead of rehabilitation—experiences harm from the status quo. Montross divides the book into three parts—“Our Prisoners,” “Our Prisons,” and “Our Choice”—each undergirded by copious anecdotes involving real people in distress. In the first section, the author explains why so many obviously mentally ill women and men end up in prison. As she notes, most crimes they commit are caused, at least in part, by their mental illness, and prison staff members are woefully unqualified to deal with psychiatric issues effectively. The second section includes chilling case studies of ineffective incarceration, especially regarding solitary confinement. The final section offers some hope, as Montross chronicles her research in Norway, where prisons have drastically lowered recidivism rates by emphasizing human rehabilitation. So why does the U.S. refuse to learn from such success stories? Montross consistently wrestles with that conundrum, but answers are elusive. In conclusion, the author quotes James Baldwin: “Nothing can be changed until it is faced.” In this revelatory book, the author faces the problem head-on. Read this and then turn to Jason Hardy’s The Second Chance Club to learn more about what happens after inmates are released.
Yet another eye-opening, powerful demonstration of the profound structural problems with mass incarceration in the U.S.Pub Date: July 21, 2020
ISBN: 978-1-59420-597-2
Page Count: 352
Publisher: Penguin Press
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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