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Naked Shall I Return

A ROSS DUNCAN NOVEL

An often entertaining novel featuring some humor and some mystery.

In the latest novel from Bartley (Every Secret Thing, 2014, etc.), the moral and cynical gangster Ross Duncan hunts for a Chinese antique with a long history in storied San Francisco.

In September 1934, Duncan takes part in a bank robbery with some other New York gangland types, which goes smoothly—except for a double cross involving a man named Fingers Pete. Months later, Duncan winds up in San Francisco with some hot gems to fence and a score to settle with Fingers, a dangerous killer with a trademark .22-caliber pistol. When Duncan’s connection proposes a job involving a mysterious auction lot and a chance to get back at Fingers, he decides to investigate. The job starts with a mysterious question (“What do you think about immortality?”) that starts Duncan off on a quest to piece together the history of the artifact, from ancient China through Chinese immigration to San Francisco’s Mayor Adolf Sutro. In previous books, Duncan demonstrated a knack for getting into situations that involved delving into a lot of history: your average detective might investigate an unhappy marriage, but Duncan’s mysteries tend to involve larger historical forces as well. This installment demonstrates some surprising violence and some neat detection (as when Duncan notices a dust-free picture frame). However, he also spends a good amount of time listening to other characters’ history lessons. Duncan’s a fine guide to this world, however, with his mix of tenderness and coolness: when he finds the dying, innocent girl, for example, he comforts her in her last moments; when he finds the dead body of a less-innocent person, he notes that “He had everything except a pulse now.” Overall, though, as interesting as the history is, readers may wish that Duncan had a bit more to do.

An often entertaining novel featuring some humor and some mystery.

Pub Date: July 31, 2015

ISBN: 978-1-78036-286-1

Page Count: 260

Publisher: Peach Publishing

Review Posted Online: Aug. 6, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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