A superlative thriller that will set the hook for the rest of the series.
The 1930s bank robber Ross Duncan is back to work on a simple kidnapping job that precipitates double-crossings and murder in Bartley’s (They Die Alone, 2012) historical noir series.
Robbing banks is much deadlier than it had been pre-1934. Now FBI agents are gunning for crooks, so Duncan agrees to abduct Hamilton, an investment banker with an affluent wife. But Duncan’s apprehensive right away—for starters, Hamilton has his young stepson with him. It’s not much of a surprise when Duncan awakens one morning to learn that he and a partner have been made patsies. He determines to find out why he was betrayed and see that the boy safely finds his mother. Bartley’s novel, the second in a series, is rich in its real-world background: The country is feeling the effects of the Great Depression, and though Prohibition has been repealed, it paved the way for criminal enterprises. The setting enhances a strong narrative, one that turns the mundane wry, like a recurring image of an old woman peeling potatoes while waiting to make the ransom demand, and shows both the Hollywood-style allure of gangsters and its ugly counterpart. Staples of noir abound, including the tough guy who lights a cigarette with a gun pointed at his face. But the protagonist—who doesn’t shy from delivering a pistol-whipping—also has a personal motive to help the young boy: His conscience is burdened by the death of a boy killed during one of his bank robberies. There aren’t many action scenes in the book—fitting, since Duncan is eyeing retirement—but readers won’t mind since whimsically descriptive pieces (a woman’s tanned skin is compared to “coffee with lots of milk and sugar stirred in”) and dialogue roll off the page like whiskey from a bottle. The novel’s best line occurs during a stunning, darkly humorous scene when Duncan rhetorically asks, “What is J. Edgar Hoover going to say about this?”
A superlative thriller that will set the hook for the rest of the series.Pub Date: July 31, 2013
ISBN: 978-1780361864
Page Count: 278
Publisher: Peach Publishing
Review Posted Online: Nov. 26, 2013
Review Program: Kirkus Indie
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.Pub Date: Nov. 11, 2017
ISBN: 978-1-943169-32-0
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.
A YA novel that treats its subject and its readers with respect while delivering an engaging story.Pub Date: Jan. 1, 2004
ISBN: 978-1591940173
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
Review Program: Kirkus Indie
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