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LIGHTNING PEOPLE

A quartet of isolated personalities drift the streets of post-9/11 New York in Bollen’s debut literary novel.

Joseph Giteau graduated high school in Cincinnati, immediately left his reclusive, conspiracy-obsessed mother and moved to New York. Delphine Kousavos left a tiny Greek island and entered Columbia University. Madi and Raj Singh left a fractured biracial Florida home and found success in the Big Apple. The four characters’ stories intertwine in this postmodern tale, seemingly random and chaotic on the surface but layered with existential malaise and good intentions gone wrong. Joseph found success as an actor, mostly in commercials, and mostly because of his good looks. But Joseph believes, though he admits his fear to no one, that he will die this year, his 35th, of heart failure, as did his father and grandfathers. Del drifted into a job as a reptile curator at the Bronx Zoo, a profession she dislikes enough to persuade Joseph, her lover of 10 months, to marry her so that she might stay in the country without a work visa. Madi, Del’s closest friend from college, is the most successful of the four, a vice-president of a company outsourcing jobs to India. Raj, a talented photographer and Del’s former lover, has fallen into an unidentifiable depression. Circling the group is William Asternathy, also an actor. William’s looks are fading, and his career has been derailed by drugs and the party scene sparked by “that fast live-wire current circulating through the city." Another narrative opens when Joseph meets Aleksandra Andrews, widow of a suicide, a man embroiled in utility-deregulation fraud. Told in third person, there is symbolism to be contemplated, internal dialogue to define character and flashbacks that make Joseph the most sympathetic of the four. Nevertheless, in this realistic tale of love and loss, love and ambivalence, angst and anger, death deliberate and accidental, there are no heroes. 

A dark character study rife with paradox and indirection.

 

Pub Date: Sept. 1, 2011

ISBN: 978-1-59376-419-7

Page Count: 368

Publisher: Soft Skull Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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