Brookmyre isn't as well-known in the States as fellow Scottish mystery writers Ian Rankin, Val McDermid and Denise Mina, but...
Two women investigators—a veteran police detective with a distant husband and two young boys and a struggling actress working for her uncle, an ex-cop, as a private detective—cross paths in this offbeat tale of ruthless mobsters in Glasgow.
A Scottish crime novelist known for his satirical gore fests (One Fine Day in the Middle of the Night, 1999, etc.), Brookmyre here begins a new, straighter-faced procedural cop series. After a drug dealer is killed, Detective Catherine McLeod must penetrate not only the net of secrecy surrounding criminal lowlifes in "Glesca," but also the questionable motives of her superiors. Meanwhile, Jasmine Sharp, a slip-up waiting to happen, must get her act together after her uncle goes missing. He was working on a cold case involving the disappearance of a couple and had told their now-adult daughter he had news for her. Following clues to a women's shelter, Jasmine gets paired off with a handyman who goes by the unlikely name Tron Ingrams. After an attempt is made on her life, or his, he reveals he's really a bent cop's son, Glen Fallan, a name in one of her uncle's files. As more people are killed, maimed or disappear, Catherine's story becomes joined with Jasmine's and her former boss' pronouncement becomes apparent: "This is Glesca. We don't do subtle, we don't do nuanced, we don't do conspiracy...We do tit-for-tat, score-settling, feuds, jealousy, petty revenge. We do straightforward. We do obvious. We do cannaemisswhodunit." A brainy, barbed noir, this book takes its time setting the scene and establishing its characters. Most of its violence occurs off the page. But with its contrasting protagonists (it's easy to envision a series built around the endearing Jasmine), local color and language and skillfully orchestrated sense of bad things to come, the novel maintains a solid grip on the reader.
Brookmyre isn't as well-known in the States as fellow Scottish mystery writers Ian Rankin, Val McDermid and Denise Mina, but this first-rate effort may change that.Pub Date: July 3, 2012
ISBN: 978-0-8021-2025-0
Page Count: 304
Publisher: Atlantic Monthly
Review Posted Online: June 16, 2012
Kirkus Reviews Issue: July 1, 2012
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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