Buckley is a literary WMD. Thank heavens he’s ours.
Buckley (Washington Schlepped Here, 2003; No Way to Treat a First Lady, 2002, etc.) jauntily flips pies at Middle Eastern dynasties, splattering meringue on the CIA, the State Department, the French, the mullahs, and anyone else standing nearby. Who could not laugh?
How this one slipped past the sensitivity censors is a mystery, but a happy mystery. Barely disguising the Royal House of Saud, its 40,000 crown princes, or the murderously fundamental clergy it supports, Buckley uses the baton passed to him by the dying Evelyn Waugh to ridicule America’s most embarrassing ally in the most amusing way possible, deploying high gags and low (camel gas is the best). Our heroine is beautiful State Department Arabist Florence Farfaletti, 32, who receives a midnight phone call from Nazrah, a princess married to Prince Bawad, a Washington fixture and one of the 40,000 crown princes of the oil-rich kingdom of Wasabia (Buckley’s puns never let up, but they’re good). Princess Nazrah has fled the odiously polygamous Bawad to seek asylum at the CIA, but the gates are down and the Wasabian guards are about to drag her back to certain execution. Can’t Florence do something? Alas, there’s no time, and the rebellious princess loses her head. A furious Florence finds herself mysteriously financed as she hatches a scheme to bring down the Wasabis and all the other patriarchal oligarchs by means of a sort of Arab Lifetime Channel, television for anyone restless in her burqah. Assisted by a gay friend from the Arab desk, an exuberant Gucci Gulch flack, and a handsome and resourceful Cajun mercenary, Florence sets up her broadcasting shop in the emirate of Matar, where the sheika Laila, wife of the booby on the throne, is eager to help out. More heads roll, and Florence almost loses her own before things are sorted out.
Buckley is a literary WMD. Thank heavens he’s ours.Pub Date: Sept. 21, 2004
ISBN: 1-4000-6223-3
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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