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WRY MARTINIS

Despite a few sparks of wit, this lightly humorous collection of occasional pieces misfires badly. Unlike many of his colleagues on the right, Buckley (Thank You for Smoking, 1994, etc.) does have a strong commitment to recycling. Witness this book, which seemingly contains almost every minor piece he's written in the last ten years, every sketch or scribble, no matter how irrelevant or outdated. At least half of these pieces (which first appeared in the New Yorker, Vogue, Forbes FYI, and elsewhere) are past their expiration date, viz. pallid humoresques on the Bush-Clinton debates, Prince Charles and Lady Di, Haiti, Pat Robertson, Richard Darman, et al. Worse, Buckley's humor rarely rises above amiable cocktail-party banter. Even in his more ``timeless'' pieces, such as those on the problems with programming VCRs, the burdens of unwanted houseguests, and swampy Washington D.C. summers, his prose usually overruns his ideas. Like the Metaphysical poets, his style is to yoke two unlike subjects together and hope something will happen. So we have letters from O.J. Simpson's lawyers to the Unabomber soliciting his case and Oprah interviewing the pope on his latest book. When he is not shilling tirelessly for laughs, Buckley is a perfectly competent reporter as well as a graceful stylist (he used to write speeches for President Bush). But do we really need to read his interview with Ann Landers or his eulogy for his former boss, Malcolm Forbes, or his regrets about not serving in Vietnam? These journalistic efforts aren't substantial enough to require republication. These wry martinis make a good case for teetotaling. (Book-of- the-Month Club/Quality Paperback Book Club selection; author tour)

Pub Date: March 1, 1997

ISBN: 0-679-45233-8

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1997

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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