by Christopher E. Pelloski ‧ RELEASE DATE: N/A
An engrossing insider’s look at the effects of the correctional system on the personal growth of a low-level sex offender.
An elite medical professional adjusts to his new life as a convicted sex offender.
In 2014, Pelloski (Trauma, Shame and the Power of Love, 2015), a pediatric oncologist, was convicted of “attempting to view” child pornography and sentenced to a year and a day in a minimum security federal correctional facility. When he arrived at prison, he was humiliated by his public disgrace and emotionally drained by PTSD from multiple episodes of sexual abuse during his early years. On “the other side of the looking glass,” the author met his fellow inmates, men whose experiences were often similar to his—childhood abuse that led them to become sex offenders themselves. Though they were lumped together as “chomos” (child molesters), most were “NP/NC” (nonproduction, noncontact) offenders whose crimes consisted of accessing internet sites that viciously exploited the young. As he adjusted to his new community, forming bonds of friendship with some and learning to avoid others, he developed a deep awareness of his good fortune in having family and friends who stood by him through his ordeal, helping him avoid the suicidal despair that overtook many of his fellow prisoners. After his early release into a halfway house, the author faced the even more daunting task of rebuilding his life on the outside, accepting the end of his career and his marriage, dealing with limited contact with his children, and finding a home and a job while being inescapably branded with the loathsome label of sex offender. Pelloski’s chronicle of his “Atonement and Reinvention” is unflinching and intriguing. He takes responsibility for his actions while maintaining a protective sympathy for his younger self, whose damaged innocence led him to “repeat, reenact, or re-experience his trauma” by watching the violation of children. His otherwise carefully reasoned and emotionally honest account of his experiences is occasionally marred by the use of provocative or offensive terms. He writes of a narcissistic fellow inmate that “he would probably get a hard-on from knowing that I dedicated a whole chapter to him.” In another passage, the author portrays a judge’s attitude toward high-status offenders: “He abused the trust placed in him, so let’s hammer a nail through his scrotum.” In this context, such sexual terms become grating and detract from a thoughtful and informative narrative.
An engrossing insider’s look at the effects of the correctional system on the personal growth of a low-level sex offender.Pub Date: N/A
ISBN: 978-1-72630-331-6
Page Count: 286
Publisher: Time Tunnel Media
Review Posted Online: April 28, 2019
Review Program: Kirkus Indie
Share your opinion of this book
More by Christopher E. Pelloski
BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.