ROAD OF BONES

An American producer eager to score a big hit like Duck Dynasty travels to Siberia to shoot a reality series along the desolate Kolyma Highway and gets more thrills than he bargained for.

At first, the only obstacle for Felix Teigland and Prentiss, his British cameraman, friend, and investor, is the 40-below temperature. A young guide's introduction to the legendary Road of Bones, beneath which hundreds of thousands of gulag prisoners are buried, gives Teig a great subject as well as a great title for his series. But no sooner have they arrived than the filmmakers are threatened—and worse—by shadowy wolf creatures and a screaming humanoid spirit who has something to do with the sudden abandonment of a town by everyone except a strangely possessed 9-year-old girl Teig becomes determined to save. He is still tormented by the abduction and murder of his younger sister when they were little. Meanwhile, Ludmilla, a frail but determined old woman, travels the frigid Kolyma Highway to bless the buried—a self-appointed task that has cost her several fingers and toes. The ability of the "murderous air" to immobilize people comes and goes, the cuddlier forest animals seem on loan from a Disney cartoon, and Ludmilla's devotion to Bruce Springsteen is a bit much. But Golden is great at atmosphere. The desolate surroundings are indeed "a stark reminder of how small a thing it was to be a human being." And how can you resist the charms of a 50-foot-tall reindeer woman?

A chilling, if sometimes silly, supernatural thriller best read by the fireplace.