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AND YET...

Name: AND YET...
Author: Christopher Hitchens
ISBN: 978-1-4767-7206-6

ESSAYS

by Christopher Hitchens ‧ RELEASE DATE: Nov. 24, 2015

A parting shot? Just as with rock bands that seem to have done more farewell tours than pre-farewell performances, there’s...

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Hitherto uncollected journalistic pieces, much along the lines of Arguably (2011), in which the late, great, much-missed Hitchens (Mortality, 2012, etc.) takes stock of the world.

Hitchens was famously a man of the left who, all the same, found reasons to support going to war in Iraq, a libertarian who nonetheless saw the uses of government, and an atheist who’d read the Bible more than most Sunday school teachers—and a contrarian through and through. “These things,” as he remarks of another matter entirely, “are worth knowing.” They are also things that introduce inconsistencies and contradictions into the conversation. Hitchens could be a fierce critic of the American theocracy that the majority seems to prefer and yet celebrate the splendid secular holiday that is Thanksgiving, despite its central feature: “that one forces down, at an odd hour of the afternoon, the sort of food that even the least discriminating diner in a restaurant would never order by choice.” In the same vein, speaking of a different Turkey, one of the most thoughtful essays in this casual gathering takes on the widely admired novelist Orhan Pamuk for not being sufficiently stalwart in his defense of the secular Turkish state against the Islamists who would ban literature immediately on gaining power. There are a few old tropes here but with new twists: predictably, there’s a piece on Hitchens’ hero George Orwell but with a defense for his having named the names of presumed enemies of the state, an act worthy (or unworthy) of Winston Smith. Whip-smart, Hitchens is at his best when skewering the political class, though with the understanding that what we have now is likely to be a sight better than what’s to come: “How low can it go? Much lower, just you wait and see.”

A parting shot? Just as with rock bands that seem to have done more farewell tours than pre-farewell performances, there’s probably more in the vault—but in this case, that’s a very good thing indeed.

Pub Date: Nov. 24, 2015

ISBN: 978-1-4767-7206-6

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

Categories:

GENERAL NONFICTION

- BOOK REVIEW
A HITCH IN TIME
by Christopher Hitchens

- BOOK REVIEW
THE FOUR HORSEMEN
by Christopher Hitchens & Richard Dawkins & Sam Harris & Daniel C. Dennett

- BOOK REVIEW
MORTALITY
by Christopher Hitchens

- PERSPECTIVES
Where Is Christopher Hitchens When We Need Him?

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.