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LETTERS TO A YOUNG CONTRARIAN

THE ART OF MENTORING

A damp squib from someone who ought to know better.

Pretty lame musings that capture but little of Nation columnist Hitchens’s not inconsiderable wit—and even less of his iconoclasm.

Having taught for some years at the New School in New York, Hitchens came upon the idea of composing a kind of ideological testament addressed to the young that would lay out his vision of the good life and offer some advice on how to achieve it. The scheme was inspired by Rilke’s Letters to a Young Poet—and if you did not expect such a paternal, almost contemplative tone from Hitchens, you are not alone. This is the same man, after all, who has taken potshots at Mother Teresa (The Missionary Position, not reviewed) and Princess Di alike, a “grizzled soixante-huitard” (as he calls himself) to be sure, but one who detested Bill and Hilary Clinton (and delighted in the Lewinsky scandal) every bit as much as Rush Limbaugh did. The sober mask doesn’t suit him, and most of what he lays out here as “contrarian” is strictly village-atheist stuff: the heroics of the solitary dissenter (Rosa Parks, Alexander Solzhenitsyn), the dangers of groupthink (“Beware of identity politics”), the broadening effects of travel, the importance of irony (“It’s the gin in the Campari”), the innocence of Colonel Dreyfus (just in case you wondered), and the universal brotherhood of mankind (“we are one people”). There is also a good deal of name-dropping (“my dear friend Robert Conquest,” “my Chilean friend Ariel Dorfman”) and rather more accounts of the interesting places the author has been than most readers will require. Mercifully, however, Hitchens keeps his eye on the clock and doesn’t go on much longer than most of his articles.

A damp squib from someone who ought to know better.

Pub Date: Oct. 22, 2001

ISBN: 0-465-03032-7

Page Count: 208

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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