A desperate tale of love and heroism, set mostly in Cambodia during the rise of the Khmer Rouge, from the Australian author of the novel and classic independent film The Year of Living Dangerously (1979). As the story opens in 1976, Mike Langford, a Tasmanian photojournalist whose war coverage has become internationally famous, is reported dead inside Cambodia. Almost simultaneously, back in peaceful Tasmania, Langford's oldest friend—known here only as Ray—receives a collection of tapes that Langford recorded over the years, an ``audio diary'' chronicling his career from his apprentice days in Singapore through his coverage of the Vietnam War and the Cambodian civil war that followed. Using the tapes, Ray tells his old friend's story, letting the tale fall into the third person even as he flies to Thailand to find out what happened. We never learn of Langford's fate with certainty, however, since Koch opts to transform him into a mythical figure, an eternal soldier. Part of Langford's tragedy is that in midlife he at last finds a woman he deeply loves, but she, like everything else that might have addressed the sorrow that he has borne since his terrible childhood, will be taken from him. She is Cambodian and opposes the Khmer Rouge; Langford probably perishes trying to extract her from danger. Also figuring prominently is Langford's Chinese friend Jim Feng, who reveres Langford for his fearlessness and honesty. Koch's Australian perspective is illuminating and fresh throughout, but his best scenes are inside Cambodia, as Langford tries to get the word out about the Khmer Rouge holocaust at a time when most Western journalists are in denial. The evocation of the Cambodian landscape, strewn with bodies, is truly haunting. Koch's complicated point of view seems mechanical at times, but on the whole he's given us an absorbing, deeply moving story. (First printing of 35,000; author tour)
Pub Date: June 1, 1995
ISBN: 0-670-86155-3
Page Count: 480
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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