by Christopher Kelly Stuart Laycock ‧ RELEASE DATE: Sept. 25, 2014
An intensive compendium of America’s interactions, both good and bad, with other countries that rightly leaves out the...
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In this extensive, whimsical volume, the authors posit what many have long suspected: the United States has invaded or been militarily involved with almost every country on the globe.
Kelly, a longtime military-history buff, readily admits in his introduction that he drew inspiration for his first book from Laycock’s previous work (All the Countries We Invaded: And a Few We Never Got Round To, 2012), which covers Great Britain’s overseas excursions. The two got to talking and discovered that the U.S. offered even greater fodder for such a compilation. It has invaded 84 out of the 194 countries recognized by the United Nations and has been militarily involved with 191 of those. (The holdouts, the authors note, are Andorra, Bhutan, and Liechtenstein.) Military action is never too far away for America, as Kelly notes: “Americans are always hoping for peace but usually preparing for war. The American Eagle is an ambivalent bird holding arrows in the talons of one foot and an olive branch in the other.” A work such as this has the potential for being academically stodgy, but Kelly and Laycock deftly avoid that trap. Instead, they find colorful, obscure episodes from each country’s past. Take, for example, Panama’s Watermelon War of 1856: “It was really more of a Watermelon Riot, which was triggered by an intoxicated American railroad traveler who took a slice of watermelon from a Panamanian fruit merchant and refused payment. Fifteen Americans were killed in Panama City, and we sent our troops in to restore order.” One drawback is that readers can get cast adrift on the sea of military and political acronyms in the book, but the authors do provide supporting materials, such as a glossary, maps, and a comprehensive index, at the back of the volume to provide perspective for those seeking clarification. Still, for a dedicated history fan, this is an invigorating travelogue, taking readers around the world and backward and forward through time.
An intensive compendium of America’s interactions, both good and bad, with other countries that rightly leaves out the philosophizing.Pub Date: Sept. 25, 2014
ISBN: 978-1940598420
Page Count: 396
Publisher: Book Publishers Network
Review Posted Online: Feb. 11, 2015
Kirkus Reviews Issue: March 15, 2015
Review Program: Kirkus Indie
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by Christopher Kelly and Stuart Laycock
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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