An unconventional, absorbing legal thriller with elements of fantasy and the supernatural.
In this thriller sequel, a criminal defense lawyer’s newest case involves fallen angels and their human/demon offspring.
Virginia attorney Samson Young’s life has gotten more complicated lately. A woman connected to a case he defended and an anonymous call to his office both mention a ski trip that Sam knows nothing about. This ties to his subsequent summons to appear on Mount Hermon at the Israel-Syria border. His apparent clients in a lawsuit are Azazel and the fallen angels, who, having served a sentence of 70 generations in fire, wish to return to heaven. Sam will also make an appeal for these angels’ immortal hybrid children to become full, mortal humans. Meanwhile, he and his law partner, Amelia Griffin, continue working on cases in Bennet County. They defend a man accused of killing his wife who supposedly confessed his crime to a cellmate. Unexpectedly, Sam realizes this client and others are somehow connected to the Mount Hermon trial. Specifics on this case or those named in the summons aren’t easy to come by, as Sam’s questions generate cryptic responses. Still, it’s clear that some don’t want this particular dispute resolved; unknown individuals threaten or attack the attorney and his friends. Sam may also have a personal link to the fallen angels’ lineage. He has a telepathic ability that he uses in moderation, and his somewhat obscure family history features a relative who seems to have survived death. Soon, the protagonist will appear in front of a panel of archangel judges, with reputedly untrustworthy Samael as his opponent.
Leibig’s cross-genre novel, like the preceding installment, is first and foremost a legal thriller. For example, the counselors’ arguments propel the supernatural trial despite the presence of angels and discussions of immortality. This lawsuit teems with familiar courtroom sights, such as the calling and examining of witnesses, attorney objections, and closing statements. In the same vein, the author grounds the fantasy side of the story by often citing religious texts, including the Bible and the book of Enoch. Leibig deftly weaves religious references into the defense of the hybrids (seemingly punished for their fathers’ deeds) and the fallen angels’ backstory. The engrossing novel retains mystery as well. Sam (and readers) may surmise his connection to the angels and the hybrids, but he doesn’t get clarification until later. The author handles this with tongue-in-cheek observations, frequently noting characters’ intentional vagueness: When a member of Sam’s family “did answer, her words were often a response not to the question someone had asked, but rather to the question they should have asked.” Humor also comes in the form of snappy one-liners by Sam or legal investigator Nguyen Jones: “You’re always stitching up their softballs”; “You thought Paulo was fixin’ to trim our hedges.” While Nguyen serves as comic relief, Amelia proves herself a competent lawyer who is just as capable as Sam. The strong cast also includes characters whose dubiousness makes them unnerving, particularly as Sam believes someone is responsible for more than one recent death. There’s resolution by the end and a good chance Sam’s bizarre adventures are far from over.
An unconventional, absorbing legal thriller with elements of fantasy and the supernatural.Pub Date: April 1, 2021
ISBN: 978-1-64663-295-4
Page Count: 222
Publisher: Koehler Books
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
More like a con than a truly satisfying psychological mystery.
What should be a rare horror—a woman gone missing—becomes a pattern in Kubica's latest thriller.
One night, a young mother goes for a run. She never comes home. A few weeks later, the body of Meredith, another missing woman, is found with a self-inflicted knife wound; the only clue about the fate of her still-missing 6-year-old daughter, Delilah, is a note that reads, "You’ll never find her. Don’t even try." Eleven years later, a girl escapes from a basement where she’s been held captive and severely abused; she reports that she is Delilah. Kubica alternates between chapters in the present narrated by Delilah’s younger brother, Leo, now 15 and resentful of the hold Delilah’s disappearance and Meredith’s death have had on his father, and chapters from 11 years earlier, narrated by Meredith and her neighbor Kate. Meredith begins receiving texts that threaten to expose her and tear her life apart; she struggles to keep them, and her anxiety, from her family as she goes through the motions of teaching yoga and working as a doula. One client in particular worries her; Meredith fears her husband might be abusing her, and she's also unhappy with the way the woman’s obstetrician treats her. So this novel is both a mystery about what led to Meredith’s death and Delilah’s imprisonment and the story of what Delilah's return might mean to her family and all their well-meaning neighbors. Someone is not who they seem; someone has been keeping secrets for 11 long years. The chapters complement one another like a patchwork quilt, slowly revealing the rotten heart of a murderer amid a number of misdirections. The main problem: As it becomes clear whodunit, there’s no true groundwork laid for us to believe that this person would behave at all the way they do.
More like a con than a truly satisfying psychological mystery.Pub Date: May 18, 2021
ISBN: 978-0-778-38944-6
Page Count: 352
Publisher: Park Row Books
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.
The master of supernatural disaster returns with four horror-laced novellas.
The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.Pub Date: April 20, 2020
ISBN: 978-1-9821-3797-7
Page Count: 448
Publisher: Scribner
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
SEEN & HEARD
SEEN & HEARD
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