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AMERICAN CORNBALL

A LAFFOPEDIC GUIDE TO THE FORMERLY FUNNY

A good-natured, entertaining read. It doesn’t make Family Circus any funnier, but it explains good bits of Blondie and...

An alphabetical history of “things that used to make Americans laugh.”

If you yuck and guffaw at the likes of old maids, absent-minded professors and red-nosed topers, then this is just the book for you. As novelist Miller (The Cardboard Universe, 2009, etc.) notes, these were the things that were widely considered to be funny—and perhaps nothing so much as the specter of the henpecked husband. Other things have come along since in a humor culture that may have become less kind and gentle (courtesy of, say, Sam Kinison and his like), leaving these old-fashioned sources of japery in the realm of “cornball.” Miller describes the comedic grammar: Lucille Ball resists the intoxicating powers of Vitameatavegamin, since, by Miller’s light, she was “a fully realized character with twenty-nine episodes of backstory behind her” when that one aired, whereas Red Skelton, as a one-off kabibbler, was free to yield to the sauce. Or, on another matter, since most absent-minded professors teach science, it’s not always easy to distinguish them from their mad-scientist peers—just ask Buddy Love. Miller’s encyclopedia of comic types is wide-ranging, complete and lively; you have to appreciate a sentence such as this: “A fat work-shy self-righteous long-winded blustering grandiose feckless confabulating braggart, Hoople is forever boasting of shooting elephants, overpowering octopi, advising heads of state, and so on.” The only shortcoming is the too-easy glossing on the psychology of humor: There’s more to making fun of so-called easy girls than the mere fact that for men, “it’s something they like to think about. A lot." Freud would tell you otherwise—but then he was one of those pointy-headed absent-minded prof types, wasn’t he?

A good-natured, entertaining read. It doesn’t make Family Circus any funnier, but it explains good bits of Blondie and Snuffy Smith.

Pub Date: March 1, 2014

ISBN: 978-0-06-222517-7

Page Count: 544

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 4, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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