A lonely boy discovers a world of friendship on his apartment building’s roof. Jawanza is not allowed to play outside, so he spends his time looking out his window at the pigeons flying. He expresses his frustration by yelling at them, but an “old man with stick fingers” puts him in his place from the rooftop: “Can y’all believe that Mr. Joe-wanza, talking loud at you people because you’re flying? What are y’all supposed to be doing—swimming?” Jawanza investigates the rooftop to find that Mr. Roderick Jackson Montgomery the Three and his pigeons have a whole world unto themselves under the sky—a world and language that “Mr. Three” teaches Jawanza to appreciate. Myers (Wings, 2000, etc.) once again explores the ideas of friendship and flight as liberating metaphor. The watercolor illustrations employ a warm palette of yellows and oranges, with bright blue skies; the figures of Jawanza and Mr. Roderick Jackson Montgomery the Three are elongated and bend into elegant curves that mimic the swoops of the pigeons’ flight. Jawanza’s sadness at the beginning is palpable, as is his emerging joy as he learns the “pigeon dance.” The old man’s distinctive voice is pure delight: “The problem with you now, Mr. Joe-wanza, is that you’re too hurry-hurry to make the friends you’re going to have. You got to take time with these new friends.” The text as a whole, however, is overlong for a story with as little real action as this one; it bogs down from time to time in the details, and perhaps Mr. Roderick Jackson Montgomery the Three’s delightful voice runs a little out of control. It is, nevertheless, a beautiful exploration of urban friendship in unexpected places. (Picture book. 5-9)
Pub Date: Nov. 1, 2001
ISBN: 0-7868-0652-4
Page Count: 32
Publisher: Hyperion
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2001
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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