A simple and approachable introduction to churchgoing from a child’s perspective.
Various children from diverse families participate in church activities as a Q&A text encourages readers to lift flaps.
An Asian-presenting child with pigtails stands in a bedroom, and the narration asks: “It’s time for church! What will I wear?” Little fingers can then open the closet door to select the appropriate Sunday-best outfit. This pattern is repeated on the subsequent 10 double-page spreads, with a brown-complexioned preschooler packing a Bible in a knapsack (the flap is the flap of the bag); families gathering at the titular church door, which readers can open; and a Sunday school teacher reading a Bible story to a racially diverse group of tots (the flap is one of its pages). The flaps are relatively sturdy, but they are difficult to pry open on the first attempt and have pointy, sharp corners. Often the flaps represent actual doors or lids, such as the top of the plastic container holding Sunday school arts-and-crafts supplies, but others don’t make much sense, like the flap with a picture of a contemplative white-presenting child that gets folded down to reveal a praying one. The theology is light here, as there is only one mention of God and none of Jesus, but the activities discussed will be familiar for the intended audience. The cartoon images depict a mostly generic, nondenominational setting, but there is a kneeler visible from one of the pews, which not all Protestant groups use.
A simple and approachable introduction to churchgoing from a child’s perspective. (Board book. 1-3)Pub Date: Feb. 11, 2020
ISBN: 978-0-593-12769-8
Page Count: 22
Publisher: Random House
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Leave the hopping to Peter Cottontail and sing the original song instead.
An Easter-themed board-book parody of the traditional nursery rhyme.
Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.
Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)Pub Date: Jan. 5, 2016
ISBN: 978-1-4814-5621-0
Page Count: 16
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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