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THE RAVENMASTER

MY LIFE WITH THE RAVENS AT THE TOWER OF LONDON

For those seeking the secrets of the Tower of London without actually being imprisoned there, this is just the thing.

When the ravens disappear from the Tower of London, the tale goes, then England will fall—good reason to keep someone on staff to keep the birds happy.

What’s the difference between a raven and a crow? No, it’s not that one’s for the crockpot and one for the oven. There’s much more to it than that, and one of the best people to tell you about the matter is “Yeoman Warder Christopher Skaife, of Her Majesty’s Royal Palace and Fortress the Tower of London, and member of the Sovereign’s Body Guard of the Yeoman Guard Extraordinary,” as the author identifies himself. Rather more informally, he’s the Ravenmaster, the fellow who looks after the resident raven population at the famed Tower of London. This is no easy job; Skaife writes with rueful authority of having to overcome his understandable fears of being put in a cage to study, up close, a bird that for all purposes might as well have been a condor at first glance. His affection for the birds has evolved, though, and he writes movingly of the many ways in which harm can come to them—including, strangely enough, being hurt in a fall. “These days,” he writes, “if a raven dies unexpectedly at the Tower and I’m not sure of the cause of death, I take it to the vets at the London Zoo for a post-mortem." As for the legend, supposedly dating to the time of Charles II, that the health of the birds is correlated to the health of the Crown, Skaife does a nice bit of historical archaeology to dig up evidence for the legend, which turns out to be more modern than advertised. It’s no H Is for Hawk as a literary achievement, but Skaife’s account delivers a pleasing set of anecdotes that will appeal to the Atlas Obscura–reading crowd, to say nothing of corvid fans.

For those seeking the secrets of the Tower of London without actually being imprisoned there, this is just the thing.

Pub Date: Oct. 2, 2018

ISBN: 978-0-374-11334-6

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 12, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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