Red meat for thrill-seekers who can buy into the manic I-demand-that-you-catch-me-if-you-can premise.
Susannah Faulkner, the Atlanta gangster’s niece who moved from a supporting to a starring role in Never Go Home (2022), lives up to every inch of Swann’s title as she battles her uncle’s playfully sadistic ex–comrade in arms.
Suzie’s good at finding and rescuing people, but she comes a cropper when Brooke Elton’s father hires her to pluck his daughter from the clutches of her wealthy, abusive lover, Dale Dickerson. By the time Suzie’s whirlwind plan to rescue Brooke from what was supposed to be her engagement party has played out, Brooke has been shot to death—not by her boyfriend, whose proposal she actually never accepted, but by Finn Finnegan, who, convinced that Suzie’s uncle Gavin Lester has cheated him out of the millions they looted from Iraq, is determined to visit havoc upon his family. Not content simply to kill Suzie or her brother, Ethan, Finn prefers to disrupt their every move and threaten them on an hour-by-hour basis if Suzie won’t follow the latest trail of breadcrumbs that he claims will lead to meetings with him or evidence against him. This game of cat and bigger cat unfolds against a background notable for geographical sweep (Suzie travels from Georgia to Arizona and Missouri), quirky complications (Finn manipulates the police into arresting Gavin and Frankie Gutierrez, the boyfriend of Suzie’s buddy Caesar Jones, and scruffy Suzie impulsively asks FBI agent Alisha Rondeau for a date), and semi-guided tours introducing offbeat walk-ons and their colorful trades en route to a hostage showdown at the private school where Ethan teaches.
Red meat for thrill-seekers who can buy into the manic I-demand-that-you-catch-me-if-you-can premise.Pub Date: July 18, 2023
ISBN: 9781639103690
Page Count: 288
Publisher: Crooked Lane
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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