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ROADS OF THE HEART

Lots of musing but very little action.

Tilghman (The Way People Run, 1999, etc.) returns to the subject of the nature of family in this tale about a less-than-perfect father who, approaching death, sets out to correct the damage he’s done to his loved ones.

Former Maryland state senator Frank Alwin is one of those larger-than-life characters whose appetites and ambition have wreaked havoc on his family and himself. His first wife, the mother of his son and two daughters, left him when she could no longer live with the humiliation of his womanizing. His career fell apart when the state attorney general learned from an unknown source that Frank was using staffing money to pay off “a bimbo.” Now an aging stroke victim, Frank convinces his son Eric to take him on a car expedition to make final amends. Eric, who’s given up his early scholarly ambition to run an ad agency, has marital and career difficulties of his own. His wife is threatening to leave him, he foolishly sleeps with one of his employees and then ends it badly, his partner and some of his best staff are bolting from the agency. Nevertheless, Eric sets out with Frank and his nurse on what turns out to be a trip into the past. Frank makes peace not only with Eric’s mother, but also with Eric’s younger sister Poppy, who turns out to be the one who revealed Frank’s misdeed to the authorities as revenge for his emotional abandonment. Then comes the revelation of, and reconciliation with, Frank’s illegitimate son by the bimbo. By the time Frank’s health gives out, the family has found a new balance, and Eric has reunited with his wife and saved his company. The resolutions come improbably easily, considering the amount of angst that preceded them.

Lots of musing but very little action.

Pub Date: July 20, 2004

ISBN: 0-679-45780-1

Page Count: 224

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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