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A GREATER LOVE

PRINCE CHARLES'S TWENTY-YEAR AFFAIR WITH CAMILLA PARKER BOWLES

For diehards who want to know more about Prince Charles and the love of his life—who is definitely not Princess Di—British journalist Wilson redigests 20 years of royal gossip. British expository style makes this different from American rehashes, and there is a decidedly exotic quality to the subject matter. To read about Charles's affair with Camilla Parker Bowles is to read about a tribe at least as strange and anachronistic as the Yanomami of Brazil and the Amish of Pennsylvania. Wilson (ghostwriter of James Whitaker's Diana v. Charles, not reviewed) gives a tour of the customs of blue-blooded Britons, of a world in which a prince could conduct an affair with a woman whose public school was decorated with the stuffed body of a ``crucified'' bat, and who is married to someone formerly called the ``Silver Stick in Waiting'' to the Queen. The sex may be old, but the anthropology is riveting: the royal calendar, the London season, the rituals around mating and breeding, the aristocratic pastimes of polo and fox hunting, and the household courtiers and guards who still dress in the same costumes, so Camilla's father observes, they once wore to fight Napoleon. And where the Prince of Wales apparently spends his days and nights preparing to be King of England and thinking about Camilla Parker Bowles's knickers (a transcript of the famous Camillagate tape is included). When the world watched Diana Spencer walk down the aisle of St. Paul's—yes, even then—Charles and Camilla had just shared what they claimed would be their last tryst. Diana gets little sympathy: Though often on moral high ground, she is a neurotic ``bag of bones.'' Camilla, with her ``voluptuous curves,'' is devoted and discreet, a ``woman who cares deeply for her man''—the Tammy Wynette of the Beaufort hunt club. Less interesting are arguments about whether the monarchy will stand. More than anyone cares to know about the prince's sex life. But as a scandalizing glimpse into a closed society, it's rather fascinating.

Pub Date: Nov. 18, 1994

ISBN: 0-688-13808-X

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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