Morbidly fascinating, even in its deadpan style; likely to become a staple in zombie collections.
Leppanen’s sci-fi debut is a collection of scientific reports on how best to control and manage the worldwide spread of Zooanthroponotic Occult MetaBiomimetic Infectious Encephalitis—zombies!
The Society of Zombie Research and Management conducts studies on zombies, who have been a serious concern for about 50 years—long enough that undead test subjects can be selected from a containment facility in Minnesota. The research involves people in various stages, such as asymptomatic humans who have tested positive for ZOMBI Encephalitis or those in the more advanced stages, typically demarcated by the consumption of human flesh. Experiments range from the effect zombies have on monarch butterflies, which seem to prefer them as hosts for feeding and pupating, to the public’s association of baldness or thinning hair with infected humans. Leppanen commits completely to her book, abandoning a standard narrative and writing in the cold voice of a scientific study, including graphs, tables and selected literature (both genuine and fictional) at the end of each study. But hidden within the technological jargon is the story of a world surviving a devastating epidemic. Aside from the Convention on Global ZOMBIE Safety, there’s mention of humans killing other humans based on the mere probability that individuals with different colored eyes could be infected. There are also instances of utter creepiness: In one experiment, humans are dosed with aminopyralid, an herbicide, in an effort to combat the problem resulting from weeds growing at a faster rate in zombie tissue; and expectant mothers should be wary of the study involving infected pregnant women (hint: “cannibalistic offspring”). But it’s Leppanen’s academic approach to ZOMBI Encephalitis that resonates loudest. Zombies are unmistakably the norm, and the research nonchalantly takes into account a few horrifying issues—e.g., an inability to determine a test subject’s time of death, since he or she may appear alive, and in a study on zombie communication, speculation that zombies are frustrated because there’s no one to eat. The studies do become progressively more intense (one dealing with infected cancer patients surviving longer than uninfected ones), but the eight experiments, presented as separate sections, could be ingested in any order.
Morbidly fascinating, even in its deadpan style; likely to become a staple in zombie collections.Pub Date: June 17, 2014
ISBN: 978-1499576757
Page Count: 184
Publisher: CreateSpace
Review Posted Online: July 31, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Review Program: Kirkus Indie
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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