by Chuan Zhi ‧ RELEASE DATE: N/A
A lucid and insightful introduction to Buddhism.
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A sweeping history of Chinese Buddhism that includes personal reflections on meditation and practical instruction for beginners.
The historical development of the Buddhist faith is obscure, partly because the intensely personal experience of meditative practice itself resists scholarly documentation. Nevertheless, with extraordinary rigor and erudition, debut author Zhi reconstructs both the emergence of Buddhism in general and of Chinese (or Chan) Buddhism in particular. By the time Buddhism arrived in China, it had already evolved in India from Vedism, Brahmanism, Jainism, and Hinduism. Then, as early as the second century B.C.E., it was again refashioned by the political, sociological, and religious influences of its time—in this case, Confucianism and Taoism. The author discusses the original forms of Buddhism practiced in India and its metamorphosis when it traveled all over Asia. The author specifically focuses on the ways in which, in China as elsewhere, Chan Buddhism split into strains that were either more meditatively spiritual or institutional. After he impressively concludes this “broad picture of Chan Buddhism,” he turns his attention to its practice and furnishes a thorough introduction for the novice, including an accessible discussion of the benefits of maintaining a meditative practice and “Hindrances” that could undermine it. Zhi is a fully ordained Buddhist monk, and his knowledge of the subject matter is astonishing; he not only demonstrates an academic mastery of Buddhism as a historical phenomenon, but also a philosophically profound understanding of its spiritual core—which, contrary to many Western misconceptions, is not enlightenment: “Enlightenment is best viewed as a consequence rather than an objective of spiritual labor,” Zhi notes. “The purpose of spiritual life is to unravel mysteries and transcend suffering. It’s a fluid, evolving process.” The author permits himself some gratuitous digression—there’s an entire chapter devoted to explaining Carl Jung’s theory of psychological archetypes, for instance. Still, this is a remarkable study that’s intellectually stimulating, historically edifying, and spiritually instructive.
A lucid and insightful introduction to Buddhism.Pub Date: N/A
ISBN: 978-1-73331-430-5
Page Count: 439
Publisher: Songlark Publishing
Review Posted Online: Nov. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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