INTERFICIAL ARTELLIGENCE

An iconic MC sketches out his brushes with music, sports, and political celebrities.

Though not exactly a memoir and not arranged chronologically, this book by the Public Enemy frontman and accomplished graphic novelist (Summer of Hamn, 2023, etc.) does capture key moments on his path from Long Island deliveryman to hip-hop royalty. Each page typically features an ink-and-watercolor rendering of the person he met, along with some handwritten commentary. The drawings have a hasty-looking but still careful aesthetic—his renderings are remarkably accurate. Unsurprisingly, many of the subjects hail from the worlds of hip-hop and R&B: Biggie Smalls, Tupac Shakur, Mavis Staples, Erykah Badu, and more. But there are some surprises, like Fox News chief Roger Ailes (who briefly hired Chuck D as an on-air analyst), Twisted Sister frontman Dee Snider, and Prince, seen administering a yard sale at his studio. He shares a few examples of awkward interactions—Metallica drummer Lars Ulrich, a counterpoint to D’s late-’90s enthusiasm for file sharing, and Percy Sledge, whom D mistook for Fats Domino on a plane. And he remains a supporter of the controversial Nation of Islam leader Louis Farrakhan, rendered here as a peacekeeper during the East Coast–West Coast rap wars and the Million Man March of 1995. But generally, his commentary reflects admiration and wide-eyed astonishment that he got to breathe the same air as the named celebrity. To that end, this book feels like a missed opportunity: You sense that D could create a full-dress graphic memoir and say much more about the likes of Spike Lee and his longtime friend and sidekick Flavor Flav, or moments that cry out for more explanation, like a concert at a Cleveland roller rink where he performed on skates.

An artful book that just scratches the surface of D’s life in hip-hop.