In an engaging, distinctly hip-hop style, Chuck D reveals important lessons from the early pandemic years.
The Public Enemy mastermind combines art and hip-hop rhymes to provide his compelling, personal views on the chaotic years between 2020 and 2022.
Though they often feel like diary entries, each installment has an overarching storyline and theme. “There’s a Poison Goin’ On,” written in 2020, began as a chronicle of Public Enemy’s planned social media hoax to kick out rapper Flavor Flav to generate attention to promote its new album. Of course, the pandemic interrupted that plan, but Chuck D, who started out as a graphic design major at Adelphi University, decided to capture his thoughts of those days in words and drawings. His drawings in this installment are mostly impressionistic, immediate reactions to significant events—e.g., the March 12 entry, in which he discusses the NBA deciding to go on hiatus and the cancellation of the annual South by Southwest conference. Because they capture those moments, Donald Trump and Anthony Fauci make multiple appearances along with players in Public Enemy’s world. Trump takes on the prime role in the second installment, “45 Daze of Red Octobot,” which covers the tumultuous, exhausting 2020 presidential campaign between Trump and Joe Biden. Here, the author writes in rhyming couplets, and he adds charming portraits of stars like Questlove and George Clinton as well as less-than-charming likenesses of Trump and members of his administration. Chuck D also shows how much power he can pack in a couplet: “For those non believers denying the climate effect toll / There are clear waterways and melted ice in the arctic North Pole.” The final section, “Datamber Mindpaper: Attack of the Screenagers,” is the most impressive. Also written in couplets, it masterfully combines an indictment of experiencing life through a smartphone with reverent appreciations of the lives of those who didn’t, including such major historical figures as Sidney Poitier and Archbishop Desmond Tutu.
In an engaging, distinctly hip-hop style, Chuck D reveals important lessons from the early pandemic years.Pub Date: June 6, 2023
ISBN: 9781636141008
Page Count: 720
Publisher: Enemy Books/Akashic
Review Posted Online: March 7, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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