A focused, fresh, urgent text filled with pictures worth 1,000 words and rhymes worth thousands more.
With his latest work of graphic nonfiction, Chuck D uses his art and hip-hop rhymes to show how the U.S. has been held hostage by gun violence and a growing sense of hopelessness.
Unlike the sprawling yet powerful collection Stewdio, which tried to make sense of the chaos of the early period of the Covid-19 pandemic, the author’s latest has a tight focus and engaging structure. The Public Enemy frontman draws impressionistic portraits of news events and then crafts a rhyme to explain it. “At every turn this summer, so much visible hate…Salman Rushdie…is bum rushed and stabbed on stage in Western New York State,” he writes to accompany a poignant sketch of the incident, including the looks of horror from the audience. The bulk of the events Chuck D chronicles are shootings—at a convenience store in California and a shopping mall in Ohio, or the assassination of former Japanese Prime Minister Shinzo Abe—and the continuing disastrous effects of climate change, including flooding in Las Vegas and Texas. This is heavy material, but just as Flavor Flav provided enough levity to balance the hard-hitting subject matter of Public Enemy’s albums, Chuck D’s outside interests—basketball, space exploration, and, of course, hip-hop—lighten the mood enough to keep readers moving through this compelling narrative. Few recaps of the summer of 2022 would include drought’s effect on Lake Mead, a critique of Ye’s fashion designs for The Gap, and the importance of the trade of the Utah Jazz’s Donovan Mitchell to the Cleveland Cavaliers. But that’s how Chuck D’s fascinating mind works, and this chronicle of his interests is both brilliant and relatable. He closes with a poignant plea: “Indian summer awaits to cool down the heat and the hate…Protect your fam this fall…The end of hamn.”
A focused, fresh, urgent text filled with pictures worth 1,000 words and rhymes worth thousands more.Pub Date: Oct. 3, 2023
ISBN: 9781636141527
Page Count: 240
Publisher: Enemy Books/Akashic
Review Posted Online: April 30, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A cheeky, gossipy dual biography.
A study of two writers uncomfortably entwined.
After Eve Babitz (1943-2021) died, her biographer Anolik came upon a letter from Babitz to Joan Didion (1934-2021) that startled her. Filled with “rage, despair, impatience, contempt,” it read like a “lovers’ quarrel.” “Eve was talking to Joan the way you talk to someone who’s burrowed deep under your skin, whose skin you’re trying to burrow deep under.” That surprise discovery suggested a “complicated alliance” between the two. In sometimes breathless prose, with sly asides to the “Reader,” Anolik draws on more than 100 interviews with Babitz and many other sources to follow both women’s lives, tumultuous loves, and aspirations before and after they met in Los Angeles in 1967, sometimes straining to prove their significance to one another. “Joan and Eve weren’t each other’s opposite selves so much as each other’s shadow selves,” she asserts. “Eve was what Joan both feared becoming and longed to become: an inspired amateur.” At the same time, “Joan was what Eve feared becoming and desired to become: a fierce professional.” Didion had just won acclaim for Slouching Towards Bethlehem when Babitz, newly arrived from New York, began socializing with her and her husband, John Gregory Dunne. The reticent Didion and the sensual, energetic Babitz could not have been more different, and Anolik clearly prefers Babitz. “I’m crazy for Eve,” she admits, “love her with a fan’s unreasoning abandon. Besides, Joan is somebody I naturally root against: I respect her work rather than like it; find her persona—part princess, part wet blanket—tough going.” Their relationship—hardly a friendship—fell apart in 1974 when Didion and Dunne were assigned to edit Babitz’s autobiographical novel, Eve’s Hollywood. Babitz, resentful of Didion’s attitude and intrusion, “fired” her, pursuing her writing career on her own. Didion soared to literary fame; not, alas, Babitz.
A cheeky, gossipy dual biography.Pub Date: Nov. 12, 2024
ISBN: 9781668065488
Page Count: 352
Publisher: Scribner
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
