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I WEAR THE BLACK HAT

GRAPPLING WITH VILLAINS (REAL AND IMAGINED)

A fine return to form for Klosterman, blending Big Ideas with heavy metal, The Wire, Batman and much more.

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Of John Rawls and Keith Richards: Klosterman (The Visible Man, 2011, etc.) returns with a pop-culture–laden meditation on the bad guys of the world and what they mean.

Philosophers call it the “problem of evil.” Though he holds down the lofty post of ethicist for the New York Times Magazine, Klosterman’s take is guided less by the wisdom of the ages than his own gut feeling. In the linked essays here, he’s grappling less with supervillains such as Adolf Hitler and Pol Pot (though both figure) than with such less-fraught specimens as Snidely Whiplash, of Dudley Doo-Right fame, and Morris Day, who dared oppose Prince for the love of a righteous woman and top stakes in the battle of the bands. That most of his subjects are from the pop-culture realm, whether Andrew Dice Clay or Chevy Chase or the Eagles, does not diminish the underlying sophistication of Klosterman’s guiding questions: Why is it that grown-ups are more comfortable with the grays of a black-and-white world while being drawn to the dark side of the force? Which is to say, why do kids love Luke Skywalker while adults secretly cheer for Darth Vader? Well, not all adults do, of course—just as not all adults will forgive Klosterman his roundabout defense of Newt Gingrich as a Very Bad Guy who doesn’t give a monkey’s backside for what other people think of him. Still, there are some fruitful exercises in the author’s brand of such forgiveness: quantifying, say, who was to blame in the Monica Lewinsky affair (“The larger vilification was ultimately split five ways. Mr. Clinton, of course, was first against the wall”) and running through the moral calculus to determine whether, à la Jeffrey Lebowski, we should not all deem the Eagles the most evil band in history—as, it seems, we should.

A fine return to form for Klosterman, blending Big Ideas with heavy metal, The Wire, Batman and much more.

Pub Date: July 9, 2013

ISBN: 978-1-4391-8449-3

Page Count: 224

Publisher: Scribner

Review Posted Online: May 18, 2013

Kirkus Reviews Issue: June 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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