As the provocative novelist probably intended, reading this book is hell.
Through 11 previous novels (Tell-All, 2010, etc.), the author who first achieved notoriety through the movie adaptation of his Fight Club debut (1996) has continued to mix edgy humor with sharp social commentary while flirting with taboo. Yet his latest isn’t particularly funny, insightful or powerful. Its narrator is 13-year-old Madison—who tries her best to keep secret her full name: Madison Desert Flower Rosa Parks Coyote Trickster Spencer. She has the voice of a typical teenage girl, one who is precocious and a little overweight. But she is dead. And her parents are obviously patterned on Angelina Jolie and Brad Pitt (actually more the former than the latter), whose relentless self-promotion includes a series of high-profile adoptions, and who do their best to keep their daughter stuck in time, well short of puberty. Or did, because now that Madison is dead, she is beyond their reach—in hell. The author’s creative imagination in conjuring the realm of eternal damnation falls considerably short of Dante’s. Telemarketing comes from hell. So does porn. It has rivers and lakes of bodily secretions. It spawned TV and the Internet. It is remarkably easy to become consigned there, making the reader wonder what might possibly be required to gain entry into heaven. Madison is there because of a fatal marijuana overdose, or at least that’s what she says at the start. Almost all lawyers, journalists and celebrities are there. It is not a metaphor for life on earth: “What makes earth feel like Hell is our expectation that it should feel like Heaven. Earth is Earth. Dead is dead,” writes Madison. Each of the 38 short chapters begins, with a nod toward Judy Blume: “Are you there, Satan? It’s me, Madison.” The novel sustains a consistency of narrative voice, but there is little plot or momentum, until it climaxes at the end with a power play, identity transformation and O. Henry–ish twist, followed by the most frightening of all possible promises: “To be continued…”
Pub Date: Oct. 18, 2011
ISBN: 978-0-385-53302-7
Page Count: 256
Publisher: Doubleday
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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