Pathos and panic and penitence from one of the darkest and most singular minds in contemporary American lit.
Palahniuk (Beautiful You, 2014, etc.) comes roaring back from a stretch of experimentalism with 23 tales celebrating his ongoing affection for the macabre.
It’s been a while since we’ve seen Chuck at his most hard-core; he spent the last few years toying with satire, working his way into the heads of female narrators and curating the twisted anthology Burnt Tongues (2014). Here, he makes it absolutely clear that he’s still the man who wrote “Guts,” the infamous story that made fans pass out at readings. “The Toad Prince” makes “Guts” look like a fairy tale by comparison. It’s the story of an enterprising young pervert who has infected his member with a fistful of vile diseases in order to launch a new era in extreme body modification fetishism. “Romance” takes apart traditional relationships with the story of a chubby dude who falls in love with a superhot Britney Spears look-alike who may or may not be dimwitted on a level approaching disability. There are some echoes here—“Eleanor” is written in a strange, imitative patois that strongly recalls the novel Pygmy (2009), and a trio of fables resembles David Sedaris’ Squirrel Seeks Chipmunk. But the core stories are pure muscle. The book opens with “Knock-knock,” about a son trying to save his father from death with dirty jokes. The best (black) comedy comes from “Zombies,” which finds America’s gifted teens indulging in the hot new fad of taking a defibrillator to their skulls. The purest horror comes from “Inclinations,” which begins with an adolescent girl using her unplanned pregnancies to collect Porsches from her parents before delving into a catalog of horrors at a sexual reorientation camp for teens. For fans, the book has “Expedition,” which contains Palahniuk’s first hints about Tyler Durden’s true nature in advance of the upcoming Fight Club 2, to be released as comic books starting soon.
Pathos and panic and penitence from one of the darkest and most singular minds in contemporary American lit.Pub Date: May 26, 2015
ISBN: 978-0-385-53805-3
Page Count: 256
Publisher: Doubleday
Review Posted Online: March 1, 2015
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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