Not for everyone, but readers who like to walk on the novelist’s wild side will rave.
Viciously incisive and lethally funny social commentary in a novel cast as an oral biography.
Palahniuk’s latest (Haunted, 2005, etc.) provides a parody of the oral biography format (Edie, Capote), offers homage to both James Dean and J.G. Ballard’s Crash and serves to show just how much teenage angst has degenerated since the innocence of Holden Caulfield—all this before a time-warped finale that turns genealogy into some sort of Mobius strip. Though his voice appears minimally in the narrative, the hero (or is he?) of the novel is Buster (or Buddy) “Rant” Casey, who lives a short life of escalating destruction just to be able to do something, feel something and escape from the rural town that is living death to those who don’t manage to leave it. A boy of peculiarly (even mystically) sensual intuition, he initially amuses himself by seeking bites from various animals and insects, launching a rabies epidemic as he passes his infections along through sexual encounters. With his move to the bigger city, he attracts a posse of “Party Crashers,” joy riders who spend their evenings in wedding attire crashing into each others’ vehicles. One crash kills Rant, who is dead (or is he?) as the novel begins and is eulogized by a Greek chorus of friends, neighbors, relatives and enemies, along with an eyewitness reporter for DRVR Radio Graphic Traffic and an historian whose involvement in the proceedings sustains a mystery through much of the novel. Many of the themes in the author’s exploration of the dark underbelly of modern life and culture will be familiar to his ardent fans, but the formal inventiveness of the fictional oral biography provides a fresh twist.
Not for everyone, but readers who like to walk on the novelist’s wild side will rave.Pub Date: May 1, 2007
ISBN: 0-385-51787-4
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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