by Chuck Palahniuk ‧ RELEASE DATE: June 15, 2004
Dolorous yet exhilarating dispatches from the edge.
Palahniuk takes a break from his pitch-black, apocalyptic fiction (Diary, 2003, etc.) and spins a few yarns about real people—some not insane or suffering from a debilitating illness.
Unlike his novels, in which the human race is repeatedly pulverized for its conformity, groupthink, and general blankness, this collection of short nonfictions done for various magazines suggests that Palahniuk actually likes humanity—or at least some parts of it. This doesn’t mean he’s content with gentle sketches of quiet people who may be extraordinary in some understated, concerned, NPR kind of way. You’re more likely to find the author watching the sad spectacle of wannabe screenwriters paying for the privilege of pitching their little hearts out in a hotel ballroom to low-level movie producers (“This is something they’ve lugged around their whole life, and now they’re here to see what it will fetch on the open market”), or hanging out reading Tarot cards with Marilyn Manson. There isn’t much in the way of transcendent prose here; much of the time Palahniuk produces perfectly serviceable, high-grade magazine pieces, funny recollections of his Fight Club–era stint in Hollywood and so on, which keep readers flipping pages but won’t make it into any best-of-year anthologies. There are some powerful exceptions, though, like the short, bracing “Escort”: here, the author describes his stint as a hospice volunteer and says more in five pages about death than most novelists do in their entire careers. While every author hopes to connect with people through writing, most want the work itself to touch someone. Palahniuk aims his desire to connect in a different direction: he wants his writing to bring him into contact with humanity through the research that he does and the stories he uncovers along the way. Thus, “even the lonely act of writing becomes an excuse to be around people.”
Dolorous yet exhilarating dispatches from the edge.Pub Date: June 15, 2004
ISBN: 0-385-50448-9
Page Count: 256
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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